villa, how to use

Dieter Roelstraete highlights the speculative concerns that, under the blanket term architecture, Antunes shares with the three most important German-speaking philosophers of the twentieth century (Wittgenstein, Heidegger, and Adorno): identity and belonging, homeliness and uprootedness, measures and proportion, space and balance. Taking the case study of Manhattan’s Park Avenue after WWII, Maria Berman examines the theme of duplication in architecture. Doris van Drathen finds in Leonor Antunes’ work the use of “measurement” as a tool of grasping the world. Nuria Enguita Mayo addresses the problems of duplication, faktura and restriction, while Ricardo Nicolau reflects on the dialogue of the artist with the architecture of the Serralves Villa and the memory of other buildings from the history of modernism.